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Renowned Melbourne photographer-slash-film maker-slash content producer Karen Woo usually tackles the festival like a combine harvester, pulling off runway shots, trend stories, reels of people faffing on the frow, being dressed backstage, milling around outside.
“I’m always on the lookout,” she says, “I love getting every different point of view I can. That’s what I’m most intrigued by; the stories behind (the festival). Who are the up and coming people? The faces? The fashion designers? The trends? I love capturing people for their style, for their personality. I love the conversations….”
She’s covered Melbourne’s festival on and off for nine years between shooting street-style at New York, London, Paris and Milan fashion weeks and for commercial and editorial projects with long-time commercial partner, Nikon Profoto and a cherry-picked folio of clients as varied as Vogue and Kmart. “I’m just happy when I’m creative every day,” she says. “I’ve always been curious and I’m curious all the time..”
Recently Karen abruptly swerved her career into an internship at advertising agency M&C Saatchi, an opportunity too good to pass up. “I’m loving it, finding so much joy brainstorming with these creative people,” she says. “Thinking and solving problems, telling stories, making sure the message that gets out to the public is clear and engaging…”
It’s not wildly different work from creating commercial fashion content but recently, it’s meant she’s spending a lot less time behind the lens. “I’m transitioning from my photography,” Karen says simply. “One day a week.”
Covering the festival this year will involve a plunge back into the heartland where she spent the past nine years after another transition, from her first career in IT business consulting. “I’ll approach (this festival) like a passion project, looking for what I can present to my fashion following that will make them intrigued, engaged and help them learn,” she says, “I’ll be writing a little bit, sharing insights day to day, doing a bit of research, producing (content) a bit like a little feature article or mini editorial.”
“I’m also being picky about any brand collaborations because I want that absolute freedom you don’t get when you’re shooting to a brief.”
Karen has a trinity of festival favourites she regularly attends. “The opening because of the atmosphere; a lot of people turn up, you catch up with everybody. I also love the student runways; incredible creative minds. And, Indigenous designers; it’s so great to see these rising stars, the designers, the models getting their moment..”
She is amused when her invitations to various fashion events arrive: will she be on the frow or in the media pit? The PR list-makers aren’t always sure what to make of her: is she a photographer? An influencer? Commercial content producer? Just a punter?
“If they offer me a media pit pass (the end-runway riser from which most photographers work) I take it but I’d really rather shoot from a different angle,” she says. “All the media people are there doing that angle. If it’s seat on the runway they give me, I’m happy, but I’ve got to be mindful not elbow the people around me. Sometimes I’ll move off, get a better position, or give up and go back to the media pit, or sometimes a PR who actually knows what I do will give me an end seat (at the top of the runway)…”
The challenges are real but so is Karen’s passion to get the perfect shot, whatever its destination. “I’m all about unique content.“
