Lucianne Tonti’s “Good Witch” has dropped into a smouldering cultural schism between women and men and their warring perceptions of what’s Good and Right. The book tracks from the genesis of…
Featured Posts
-
-
Evan Lim meets the German artist whose solo exhibition “This is not the storm” questions all we think we know and feel about the natural world. On now at Melbourne’s Australian…
-
Laptops off, cameras capped, phones away; the VoxFrockers have officially downed tools and bumped out of Melbourne’s 30th Fashion Festival. FYI, it was a chockers two-week joblist; runways, backstage, streetstyle, off-site…
-
VoxFrock Rookie Crew mentor/photographer Theadora Violet shoots the MFF show pitched squarely at “une certain demographic“. Women whose standards are notoriously high and tolerance for fastnasty fashion, low; very low. Scroll…
-
At the sparkly midpoint of Melbourne’s 30th Fashion Festival, VoxFrock Rookie Aria Piccoli , already an exceptional talent on the lip of life as a professional photographer, takes her first spin…
-
Graduates across Australia vy for a spot in the Melbourne Fashion Festival’s annual showcase of future fashion. VoxFrock Rookies Paris Williment and Zoe Willis were there to wrap this inspiring 2026…
-
VoxFrocker Ru Elliott wraps the Melbourne Fashion Festival’s warring concepts epitomised in its opening runways, Joywear, “A bold celebration of colour, self-expression, maximalism and the mood-lifting power of fashion” and Noir,…
-
Kicking off our coverage of the Melbourne Fashion Festival‘s sparkly last half is Tanisha “Nish” Wookey’s fresh photographic essay of The Grand Annual Object Merchant Ball, a jostling, six-cylinder celebration of…















